一切安好2022
影片信息
- 状态：HD
- 主演：未知
- 导演：潘礼德
- 年份：2022
- 地区：其它
- 类型：海外动漫/
- 时长：内详
- 上映：未知
- 语言：法语
- 更新：2025-04-17 17:42
- 简介： A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.
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剧情简介
A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.
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豆蔻十三弦 227.221.101.44两星给苏有朋的态度，陈都灵加杨洋的颜值共用一星，作为一个九零后真心无法理解饶雪漫的小说，乡非气息太明显，表示她的小说大多看不下去，原著的低档次就决定了这部电影好不起来。 -
禁用药品 197.61.201.163演员都是新人，演技台词什么的，有点生硬，但不至于那些假装有逼格的人说的那么差，杨洋帅一脸。一星给五阿哥和小燕子烙印的童年。一星给杨洋，许弋活了。一星给虽然删减但大致还原的剧情。一星给摄影和音乐。 -
memory27 19.44.59.177我们小时候就是这个样子的，旁观者看觉得过得真无聊。乏味不精彩，所以不喜欢。 -
者 181.120.27.236看杨洋 剧情是啥不清楚 -
凌羽灵 20.207.45.132清新